The main component that gives us the perception of the pitch of a musical note is the fundamental frequency, measured in Hertz. In the modern musical scales used today the piano note middle C has a frequency of 261.63 Hz (we will look at how scales are constructed a bit later). This chart has the frequencies of all musical notes, based on a frequency of 440 Hz for the note labeled A4 (A above middle C on the piano). As we will see in the next chapter, musical sounds are usually composed of many frequencies but the fundamental frequency gives us the basic quality we perceive as pitch.
Recall that for both sound and light, frequency times wavelength equals speed (v = f λ) but the speeds of light and sound are very different (v = 3×108 m/s for light v = 344 m/s for sound). We can use the equation to find that a 440 Hz sound wave has a wavelength of 0.78 m. In the case of light, frequency tells us the color of light. Green light for example lies in the frequency range 525 THz to 575 THz (T is tera or 1012). A 525 THz electromagnetic signal has a wavelength of 571 nm (n is nano = 10-9). The previous chart also has the wavelengths of notes on the musical scale in centimeters.
A person whose hearing is not damaged can hear frequencies as low as 20Hz and as high as 20,000Hz. But very few people today can hear this range of frequencies. Exposure to normal sounds in everyday modern life tends to do at least some damage to most peoples hearing at an early age. Hearing is also affected by normal aging.
Christian Huygens in 1693 noticed that the fountain at Chantilly, France produced an audible pitch. He determined this was the result of the echo of sound from the fountain being reflected off of a set of nearby steps. The steps were about half a meter in depth, causing sound to return from each subsequent step with a time delay (period) of 1m divided by 340 m/s (vt = d). A set of pulses with this period will have a frequency of 340 Hz. This is sometimes called a repetition pitch.
Sounds reflected from the steps of the Mayan ruins at Chichenitza also produce a pitch but the pitch changes over time, due to the height of the steps. Sound from the bottom of the stairs has a repetition pitch depending on just the depth of the first step. Sound reflecting off the upper steps has a different repetition pitch because of the angle (the sound travels along more of a hypotenuse connecting the edge of one step to the next, rather than the shorter distance from the edge directly to the back of the step). This lower repetition pitch also takes longer to return because of the further distance to the higher steps. The result turns a handclap into a chirp heard in the following video.